Tasman Richardson's primary practice consists of video collage using the JAWA method (The technique he pioneered in 1996), fully immersive media installations (Kali Yuga, Arsenal Contemporary, Montreal 2019, Toronto 2021), and live a/v performances (Singapore Art Week 2021). His themes to date have been a critical response to recordings which he dubbed "contemporary necromancy", social media as a "voluntary surveillance state" and our mediated relationships which shape our sense of self.
